mUltimate Chopin

Op. 44, Polonaise in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 10, b. 158-185
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Important
Main
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  b. 162-164

No markings in GE

Pedalling in FE (→EE)

Pedalling suggested by the editors

The pedal markings in b. 162 and 164 were probably introduced by Chopin into the basis for FE (→EE). In the former one can see in FE traces of the  mark having been moved a beat earlier in print, while misplacing a mark is much more likely when reproducing a manuscript than an entry in a proof copy. The first  mark is placed in FE (→EE) after the 1st quaver in b. 163, which must be inaccurate. In the main text we standardise the pedal markings of both bars (cf. b. 142-144 and 201-204).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Pedalling

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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