Page: 
Source: 
p. 9, b. 127-157
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 142-144

No markings in GE

Pedalling in FE (→EE)

The pedal markings of FE (→EE) in b. 142 and 144, whose authenticity cannot be denied, were most probably entered by Chopin into the basis for FE. It is indicated by the trace of correction visible in analogous b. 162 where the  sign was moved one beat earlier in print – its initial misplacement was probably due to misinterpretation of the manuscript.
In the main text we place the second  sign analogously to the first. In FE it is clearly printed too far.
Similarly complemented pedalling can also be seen in FE (→EE) in bars 201-204 and 221-223.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Pedalling

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES