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Issues : Dotted or even rhythm
b. 202
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composition: Op. 44, Polonaise in F♯ minor
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The corrections visible in AImaz reveal that not only did Chopin change the pitch of the top note of the 1st chord, but also the rhythm of the 1st beat of the bar. The starting point were 2 g category imprint: Corrections & alterations; Source & stylistic information issues: Dotted or even rhythm |
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b. 204-205
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz a dotted rhythm is to be found three times here – category imprint: Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Dotted or even rhythm |
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b. 218
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composition: Op. 44, Polonaise in F♯ minor
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In addition to the much more serious change of pitch – see the preceding note – Chopin also changed here the rhythm of the 1st beat of the bar from category imprint: Differences between sources |
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b. 220-242
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composition: Op. 44, Polonaise in F♯ minor
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The final version and AImaz differ in the use of dotted rhythms ( category imprint: Corrections & alterations; Source & stylistic information issues: Dotted or even rhythm |
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b. 234
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composition: Op. 44, Polonaise in F♯ minor
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Chopin added here dotted rhythm while proofreading FE1. The quavers in GE may be the initial version of this and previous, analogous bars (b. 171, 175 and 228), overlooked by Chopin at the time of performing corrections. Two quavers occurring in this passage in AImaz corroborate this hypothesis. category imprint: Differences between sources |