![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 162-164
|
composition: Op. 44, Polonaise in F♯ minor
..
The pedal markings in b. 162 and 164 were probably introduced by Chopin into the basis for FE (→EE). In the former one can see in FE traces of the category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
b. 163
|
composition: Op. 44, Polonaise in F♯ minor
..
As was the case with b. 143, in the main text we include the delayed resolution of the a2 seventh Chopin introduced while proofreading FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
b. 169
|
composition: Op. 44, Polonaise in F♯ minor
..
According to us, neither source nor stylistic criteria allow us to give preference to any of these versions. Due to the above reason, in the main text we suggest a variant solution. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE , Partial corrections |
||||||||
b. 206-209
|
composition: Op. 44, Polonaise in F♯ minor
..
In accordance with the explanation in the note to b. 127, in the main text we follow FE and suggest adding slurs (in square brackets). We also add staccato dots (see the adjacent note). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
||||||||
b. 217-220
|
composition: Op. 44, Polonaise in F♯ minor
..
The traces of the changes introduced in print reveal that, initially, the version printed in FE was the same as in GE. While proofreading FE1, Chopin changed it to a version that is actually analogous to b. 197-200, yet without a tie to f category imprint: Differences between sources issues: Authentic corrections of FE |