Pedalling
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b. 201-204
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 142-144 and 162-164, the pedal markings of FE (→EE) were most probably introduced by Chopin into the basis for FE. category imprint: Differences between sources |
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b. 217-218
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composition: Op. 44, Polonaise in F♯ minor
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The partial lack of pedal markings in FE (→EE) must have resulted from an oversight, by the engraver or the copyist, or perhaps by Chopin himself if FE were based on the second autograph. category imprint: Differences between sources issues: Errors in FE , No pedal release mark |
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b. 221-222
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the pedal markings of FE, added by Chopin probably to the basis for FE. The missing markings in EE are probably the engraver's mistake. See also b. 223. category imprint: Differences between sources issues: Errors in EE |
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b. 223
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composition: Op. 44, Polonaise in F♯ minor
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The pedalling of FE is most probably incomplete, hence in the main text we supplement it after analogous b. 221 (as well as 203). The missing markings in EE most probably resulted from an oversight, as in the two preceding bars. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , No pedal release mark |
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b. 240-241
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 181-182, the missing pedal markings in FE (→EE) suggest that Chopin added them to #A after [FC] had already been finished. The category imprint: Differences between sources issues: Inaccuracies in GE |
in 
suggested by the editors
