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Issues : GE revisions
b. 20
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composition: Op. 44, Polonaise in F♯ minor
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Out of the three source versions of the double grace notes present both before the 3rd trill and after it, it is only one that is correct – A
In the discussed bar the missing category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Errors repeated in EE |
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b. 24-25
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we rely on the indications of FE (→EE) introduced into [FC] (the Stichvorlage) or in the proofreading stage of FE1, and certainly later than the markings of GE. Anyway, both sets differ very little and can be considered complementary, which we include as a variant possibility. category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions , Authentic corrections of FE |
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b. 24-26
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composition: Op. 44, Polonaise in F♯ minor
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GE2 changed the layout of the text, placing the entire R.H. part on the top stave (in bass clef). This change is contrary to Chopin's habit, who would write the R.H. part in such a manner only in exceptional situations (e.g. in the Prelude in E major, Op. 28 No. 9). Similar changes were introduced in all analogous passages (bars 50-52, 76-78, 283-285, and 309-311), as well as in bars 79-83. We do not reproduce this inauthentic layout in our transcripts for these changes do not influence the meaning of the text. category imprint: Source & stylistic information issues: GE revisions |
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b. 24-26
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composition: Op. 44, Polonaise in F♯ minor
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GE2 arbitrarily repeated in the L.H. part the accents and dots placed below or above the R.H. part. However, the last accent in bar 24 was omitted (also overlooked in the R.H.) as well as the staccato dot under Fis1 on the 3rd beat of bar 26. The addition was related to the entire R.H. part having been placed on the upper staff. The authentic layout in this kind of homogenous texture clearly suggest applying marks put over the R.H. to all underlying notes. category imprint: Differences between sources issues: GE revisions |
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b. 33
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composition: Op. 44, Polonaise in F♯ minor
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GE1 features an erroneous R.H. rhythm on the 1st beat of the bar – a quaver, a semiquaver rest and a demisemiquaver. The mistake may be due to the value of the rest – addition of a dot results in a rhythm resembling the one present in GE in analog. b. 29 and in the same rhythm that can be found in b. 55. According to us, however, it is much more likely that it is the third beam that is a mistake – the e category imprint: Differences between sources issues: Errors in GE , GE revisions |