Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 44, Polonaise in F♯ minor
GE2 changed the layout of the text, placing the entire R.H. part on the top stave (in bass clef). This change is contrary to Chopin's habit, who would write the R.H. part in such a manner only in exceptional situations (e.g. in the Prelude in E major, Op. 28 No. 9). Similar changes were introduced in all analogous passages (bars 50-52, 76-78, 283-285, and 309-311), as well as in bars 79-83. We do not reproduce this inauthentic layout in our transcripts for these changes do not influence the meaning of the text.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: GE revisions
notation: Shorthand & other
