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Issues : EE revisions
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b. 37
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composition: Op. 28 No. 12, Prelude in G♯ minor
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At the beginning of the bar, Chopin wrote cautionary sharps before a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , FE revisions , Last key signature sign |
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b. 37-38
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composition: Op. 28 No. 12, Prelude in G♯ minor
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Five clear long accents in A were not correctly reproduced in any other source. In FC it is the last two and possibly the first one with arms of different length that could be considered long; we assume that it is only the last two accents that are long. FE and GE contain common, short accents, which was the most common way the Chopinesque long accents were interpreted by the engravers. The vertical accents of EE resulted from an arbitrary practice, typical of that edition. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Inaccuracies in FC |
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b. 40
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FE,FC→GE) there are two unjustified accidentals in this bar – a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 43
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composition: Op. 28 No. 12, Prelude in G♯ minor
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As was the case with b. 3, of which this bar is a repetition in the manuscripts, not written out, in A (→FE,FC→GE) there is no category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors repeated in GE , Errors repeated in FE |
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b. 61
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The typical long accent written in A was reproduced in FC less vividly, as a result of which GE gave a short accent. FE (→EE1) overlooked the mark, while EE2 added it after GE1. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE |
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