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b. 1
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composition: Op. 28 No. 12, Prelude in G♯ minor
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After Presto, in A one can see that the further part of the indication was crossed out, most probably con fuoco. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Changes of tempo markings |
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b. 1-8
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) these bars are numbered from 1 to 8. Those digits were then used to mark b. 41-48 in an abridged manner. Fontana used the first two digits to mark in such a way b. 9-10 too, which resulted in GE omitting the accents and moving the cresc. from b. 10 to b. 11. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A , Fontana's revisions |
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b. 1
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The fact that the category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 1
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The 4th quaver in FE is an erroneous f category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED |
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b. 3
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FE,FC→GE) there is no category imprint: Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE |