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Issues : Corrections in A
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b. 36
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composition: Op. 28 No. 12, Prelude in G♯ minor
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Due to crossings-out and corrections, the notation of the 3rd beat of the bar is not entirely clear in A, which is proven by the difference between the versions of FC (→GE) and FE (→EE). According to us, it is more likely that Chopin wanted to remove the f category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 37-38
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The crossings-out visible in A reveal the initial version of the L.H. part, which we present below: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 39
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A one can see that the additional a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 68-69
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A one can see here crossings-out and corrections in both parts; however, we were able to decipher only some of the crossed-out versions. The 2nd beat of b. 68 could have featured e (with a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Accompaniment changes |
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b. 70
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The first L.H. octave was being changed a few times in A. Among the crossed-out versions, there was certainly a G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Accompaniment changes |
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