Page: 
Source: 
p. 3, b. 49-81
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-81
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 70

The first L.H. octave was being changed a few times in A. Among the crossed-out versions, there was certainly a G-g octave (first on the left) and most probably also an E-e octave (second on the left). The third crossed-out crotchet could have been a G-g octave (again) or a G-d-g chord. Anyway, it seems certain that the eventually written E-e octave is not a mistake, as supposed by many subsequent editors of collective editions.

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Chopin's hesitations, Deletions in A, Accompaniment changes

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a