Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 12, Prelude in G♯ minor
The abridged notation of these bars in FC creates confusion in the application of performance marks – accents, cresc., pedalling. We assume that the notation is compliant with the notation of A (except cresc.); however, GE interpreted it differently – the accents were omitted, and the pedalling marks were repeated.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Inaccuracies in FC
notation: Articulation, Accents, Hairpins
