Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 41-44

composition: Op. 28 No. 12, Prelude in G♯ minor

No marks in A (→FC,literal reading→GE)

3 accents in FC (contextual interpretation) & FE (→EE)

4 accents in A, contextual interpretation

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE

b. 43

composition: Op. 28 No. 12, Prelude in G♯ minor

..

As was the case with b. 3, of which this bar is a repetition in the manuscripts, not written out, in A (→FE,FCGE) there is no  restoring g1 in the bottom R.H. voice on the 3rd crotchet. The mistake was noticed only in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors repeated in GE , Errors repeated in FE

b. 44-45

composition: Op. 28 No. 12, Prelude in G♯ minor

Separate slurs in A, contextual interpretation

Continuous slur in #KC (→GE) & FE (→EE)

..

In these and subsequent bars (see the note to b. 47-48) we encounter similar problems concerning the interpretation of phrase marks and slurs to the ones in b. 4-5 and subsequent, since the discussed bars are merely marked as a repetition of b. 4-5 in the manuscripts. Like before, in the main text we give a contextual interpretation of the phrase marks and slurs of A.

category imprint: Differences between sources

issues: Errors in FE

b. 47-48

composition: Op. 28 No. 12, Prelude in G♯ minor

2 slurs in A (literal reading→FEEE)

2 slurs in A, possible interpretation

Continuous slur in FC (→GE)

..

As was the case with b. 44-45, we encounter similar problems in the interpretation of phrase marks and slurs to the ones in b. 7-9, since the discussed bars are merely marked as a repetition of b. 7-8 in the manuscripts. Like before, in the main text we give a literal interpretation of the phrase marks and slurs of A, here flawlessly reproduced in FE (→EE). 

category imprint: Differences between sources

b. 51

composition: Op. 28 No. 12, Prelude in G♯ minor

..

EE erroneously has  instead of  before the 2nd quaver.

category imprint: Interpretations within context; Differences between sources

issues: Errors in EE