Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 22, Prelude in G minor
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
FE2 - Corrected impression of FE1
| Publisher: | Adolphe Catelin et Cie |
| Date: | (VIII⇒) 1839 |
| Plate number: | Ad. C. (560) et Cie |
| Title: | 24 Préludes |
| Dedication: | Son ami Camille Pleyel |
FE2 was printed not long after FE1. In the entire Op. 28, FE2 contains some alterations, mostly corrections of the errors of FE1. Most probably they were also made by J. Fontana although it is not possible to entirely exclude the participation of Chopin, indirect as it may have been. A comprehensive list of changes as well as more information on FE3 (the later reprint of FE2 issued by the publisher Brandus et Cie) – see the description of FE2 in Prelude in C no. 1.
In Prelude in G minor the most important interference is the tying of common notes in the R.H. chords in bars 35-38. Moreover, the dashed line delimiting più animato was extended till bar 38, as in A.
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | 6584/n |