Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 22, Prelude in G minor
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
A - Autograph
| Date: | 22 I 1839 |
| Title: | 24 Préludes |
| Dedication: | Son ami J. C. Kessler |
Autograph fair-copy of all 24 Preludes, sent from Majorca on January 22, 1839 to Julian Fontana for copying. A served as the basis for the first French edition. Many deletions and corrections together with a considerable number of various errors and inaccuracies represent the work devoted by Chopin to A but also the effort the completion of such a large manuscript demanded from the ailing composer. A more detailed description of A as a whole – see Prelude in C no. 1.
In the Prelude in G minor, it is corrections of rhythm and position of the final chords that draw our attention. In a few places Chopin overlooked necessary accidentals, e.g. 
before f
1 in b. 3, 
before a
1 in b. 14, before d1 in b. 17 and 19 as well as 25 and 27.
| Original in: | Biblioteka Narodowa, Warsaw |
| Shelf-mark: | Mus. 93 |
