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b. 37
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composition: Op. 28 No. 22, Prelude in G minor
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In A this bar is added on a stave below; the place in which it should be inserted is also marked. The addition of the bar could have been related to the changes of the rhythmic values of the final cadence, which was initially a bar longer. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Fontana's revisions |
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b. 38
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composition: Op. 28 No. 22, Prelude in G minor
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The later starting point of the slur in FE resulted from an inaccurate interpretation of A. The missing slur in EE is an oversight, like in previous bars. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE |
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b. 39-40
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composition: Op. 28 No. 22, Prelude in G minor
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The L.H. octaves at the beginning of these bars are notated in EE in an abbreviated form, with 8. category imprint: Source & stylistic information issues: EE revisions |
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b. 40
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composition: Op. 28 No. 22, Prelude in G minor
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The crossings-out visible in A reveal that the chords in b. 40 were initially written as dotted minims. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 40
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composition: Op. 28 No. 22, Prelude in G minor category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes |
1-B