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b. 25-32
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FC) these bars are marked in an abridged manner with letters from a to h as repetition of b. 17-24. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 25-27
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composition: Op. 28 No. 22, Prelude in G minor
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These bars are a repetition of b. 17-19; likewise, the staccato dots written in A were not reproduced in any of the remaining sources. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 25-26
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composition: Op. 28 No. 22, Prelude in G minor
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As was the case with b. 17 and 19, there are no flats lowering d1 to d category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in A , Errors repeated in FE |
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b. 27
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composition: Op. 28 No. 22, Prelude in G minor
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A (→FE,FC→GE) has no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors repeated in GE , Errors repeated in FE |
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b. 28-38
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composition: Op. 28 No. 22, Prelude in G minor
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It is unclear what made Fontana start writing più animato as early as in b. 28, hence 2 bars earlier than in A, or why the indication was not included in GE. Moreover, Fontana overlooked the dashes marking the range of the indication. In FE1 the dashes were led only to the end of b. 33, the last in the line, which was corrected in FE2 (→EE). Chopin precisely determined that the more animated fragment should end in b. 38 – in A the dash written in b. 39 was crossed out. Chopin also crossed out sempre before più animato. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Inaccuracies in FE , Corrections in A , Errors in GE , Deletions in A , FE revisions , Errors of FC |
1 in b. 25 and 27 in 
lowering a1 to a
