Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 9, Prelude in E major
Sources
- Autograph
- Fontana's copy
- Copy by George Sand
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
GE1 - First German edition
| Publisher: | Breitkopf & Härtel |
| Date: | IX 1839 |
| Plate number: | 6088 |
| Title: | Vingt-quatre Préludes |
| Dedication: | Son ami J. C. Kessler |
GE1 is based on FC, Chopin took no part in its preparation. In the entire Op. 28 GE1 contains many adjustments and errors – see Prelude in C no. 1. There are copies of GE1 which have differing covers, and the edition was also published in a version of 4 fascicules containing 6 preludes each.
The most significant interference with the notation of this Prelude is the notation of dotted rhythms against quaver triplets, which is incompatible with A (→FC). Other pronounced defects include: the erroneous 2nd bottom R.H. voice quaver on the 3rd beat of b. 2, c
instead of d, and the tie to B in b. 12, misinterpreted as a slur.
The majority of overlooked accidentals (by Chopin) were added, also those less obvious, in b. 7 and 8.
| Original in: | Jan Ekier private collection, Warsaw |
| Shelf-mark: | II.6 |