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b. 45
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composition: Op. 28 No. 19, Prelude in E♭ major
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 49
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composition: Op. 28 No. 19, Prelude in E♭ major
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The main text – the 8th g quaver – comes from A (→FC→GE1,→FE→EE). However, the analysis of the corrections visible in A in the final section of the Prelude leads to the conclusion that it may be the uncorrected initial version and that the intended note was a b category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Omitted correction of an analogous place |
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b. 51-59
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composition: Op. 28 No. 19, Prelude in E♭ major
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In b. 51 and 59 we add cautionary naturals before c3 in the main text. category imprint: Editorial revisions |
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b. 51-61
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composition: Op. 28 No. 19, Prelude in E♭ major
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Some L.H. figures were marked in the manuscripts in an abridged manner as repetitions of the preceding ones. FC (b. 51-53 and 57-61) contains more abridgements than A (b. 51, 57 and 60-61). This is because in A some figures were initially different from the preceding ones; it was only after corrections that they became identical, and the copyist, upon seeing the final text with a greater number of repetitions, made his work easier. category imprint: Differences between sources issues: Abbreviated notation of A , Fontana's revisions |
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b. 52
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composition: Op. 28 No. 19, Prelude in E♭ major
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Unlike in the other 3 analogous bars, in A (→FE1,FC→GE) there is no cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , FE revisions |