FE1
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 49

g in A (→FCGE1, →FEEE)

b in GE2 (→GE3)

The main text – the 8th g quaver – comes from A (→FCGE1,→FEEE). However, the analysis of the corrections visible in A in the final section of the Prelude leads to the conclusion that it may be the uncorrected initial version and that the intended note was a b, like in analogous b. 57. Chopin changed the pitch of the middle triplet notes in 12 places in b. 49-66, out of which 6 times from g to b in the broken E major chord. In this situation, it is likely that the first bar of this section remained uncorrected inadvertently (Chopin would overlook a correction in one of a few similar places on a number of occasions – see, e.g. the Prelude in F Minor No. 8, b. 17).
Therefore, the version of GE2 (→GE3) with b may be considered an equal variant. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information

issues: GE revisions, Omitted correction of an analogous place

notation: Pitch

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