mUltimate Chopin

Op. 24 No. 3, Mazurka in A♭ major

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b. 9

composition: Op. 24 No. 3, Mazurka in A♭ major

in A

in AI and GE (→FE→EE)
..

A pedal release mark is placed after a rest on the 3rd beat in A. This notation is confirmed by the analogous bars 29 & 33, hence we give it in our main text. The remaining sources have under the rest.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 10

composition: Op. 24 No. 3, Mazurka in A♭ major

No mark in AI and FE (→EE)

A wedge in A

A dot in GE
..

The initial e1 is not marked in AI with any staccato sign. To A Chopin put a distinct staccato wedge, which was reproduced inaccurately as a dot in GE, and omitted in FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Inaccuracies in GE , Inaccuracies in FE

b. 10-11

composition: Op. 24 No. 3, Mazurka in A♭ major

No mark in AI

in A

GE (→FE→EE)
..

The sign   begins in A still in bar 10, and ends in bar 11 on the 4th quaver. In GE (→FE→EE) it is shifted entirely into bar 11, encompassing all quavers therein. In AI, the hairpin does not appear in bars 10-11.

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE

b. 10-11

composition: Op. 24 No. 3, Mazurka in A♭ major

No performance marking in AI

dolce in A, literal reading

Contextual interpretation of A and GE (→FE→EE)
..

AI does not have the term dolce. Chopin added it in A (→GE→FE→EE) in bars 10 and 34.

category imprint: Interpretations within context; Differences between sources

b. 10

composition: Op. 24 No. 3, Mazurka in A♭ major

Rhythm in AI

Rhythm in A (→GE→FE→EE)
..

AI has even quavers here, as in analogous bar 6. Cf. note to bar 3.

category imprint: Differences between sources; Corrections & alterations