![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in FE
b. 4-5
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
The range of the slur in b. 4 is unclear in A – it can be interpreted as a slur dragged to the a category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A , Tenuto slurs |
||||||||
b. 19-21
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In the version prepared for print, hence the latest one, Chopin abandoned the ties to g category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE |
||||||||
b. 19
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
The category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors repeated in EE |
||||||||
b. 22
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In FE (→EE1) there is an erroneous category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Annotations in FES , Annotations in FEJ , Errors repeated in EE |
||||||||
b. 43
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In A one can see that Chopin initially wrote the mordent with a conventional In this place, FCI includes an earlier version – there are no ornaments on the 4th quaver in the bar, while b1 is linked with a tie to the dotted crotchet at the beginning of the bar. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Errors in FE , Corrections in A , Errors resulting from corrections , Deletions in A , Annotations in FES , Main-line changes , Inaccuracies in A |