|
b. 46-47
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In FCI the g category imprint: Differences between sources |
|
|
b. 47
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
At the beginning of the bar FCI includes a chord containing both the g category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes |
|
|
b. 47-50
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
As in the previous four-bar section, accidentals in A (→FE) are written inaccurately – 9 sharps are missing. In FC Fontana added one of them, yet overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
|
|
b. 47
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In FCI there are no ornaments before the 4th R.H. quaver. Moreover, from the 2nd quaver on, the R.H. part is written down using two-part notation – melody in the top voice, while dyads in the bottom one. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |
|
|
b. 49
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In the chord on the 4th quaver in the bar, FCI includes an additional note (c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
2 minim is not tied to the next bar, which begins with a chord – see the note in b. 47.
before the middle note of the 2nd L.H. quaver in b. 47. A comparable number of deficiencies are to be found also in