Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
According to us, the fact that the more specific tempo indication was abandoned in the final version of the Prelude may mean that the shape of the piece had crystallized – the double indication of FCI actually introduces an element of uncertainty, which suspends the tempo of the piece somewhere between Allegretto and Andantino.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Changes of tempo markings
notation: Verbal indications
