FCI
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 1

Allegretto quasi Andantino in FCI

Allegretto in A (→FCGE, →FEEE)

According to us, the fact that the more specific tempo indication was abandoned in the final version of the Prelude may mean that the shape of the piece had crystallized – the double indication of FCI actually introduces an element of uncertainty, which suspends the tempo of the piece somewhere between Allegretto and Andantino.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Changes of tempo markings

notation: Verbal indications

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