Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 28 No. 5, Prelude in D major
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Revised impression of EE1a
- Corrected impression of EE1
FC - Fontana's copy
| Date: | (II-III) 1839 |
| Title: | Vingt-quatre Préludes |
| Dedication: | Monsieur Camille Pleyel |
Copy of A made by Julian Fontana (lost, known from a photocopy) as the basis for the first German edition. As a whole, the copyist duplicated the text of A carefully, nonetheless making a number of mistakes, e.g.:
- he did not separate the second R.H. voice (led in quavers) in b. 4 and 36; he also overlooked the additional crotchet stems in b. 13-16 and 29-32;
- he did not realise that b. 16 is not a literal repetition of b. 15, which resulted in the final semiquaver in b. 16 having been changed from a2 to a
2. - instead of dim. - - - in b. 31-32 he wrote dashes only, as a result of which the dynamics in these bars changed to cresc.
For a list of more important flaws of FC in the whole Op. 28 see Prelude in C no. 1. Chopin did not correct FC.
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | F. 503 |
