Rhythm
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b. 4
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composition: Op. 28 No. 5, Prelude in D major
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In FC (→GE1) the b1-a1 semiquavers are not separated as quavers. The patent mistake of the copyist was corrected in GE2 (→GE3). See also b. 36. category imprint: Differences between sources issues: GE revisions , Errors of FC , Errors repeated in GE |
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b. 13-32
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composition: Op. 28 No. 5, Prelude in D major
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In each of b. 13-16 and 29-32, Chopin initially separated in A the 3rd and 5th semiquavers (b1-e category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections , Deletions in A , Accompaniment changes , Errors of FC |
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b. 34-35
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composition: Op. 28 No. 5, Prelude in D major
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The corrections performed in A reveal that the last semiquaver in b. 34 and the second one in b. 35 were initially g1-f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 36
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composition: Op. 28 No. 5, Prelude in D major
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Just like in b. 34-35, Chopin changed the pitch of the 2nd and 4th notes in A from g1-f category imprint: Differences between sources; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , GE revisions , Deletions in A |
1 and g1-c
. He then abandoned that voice; he crossed out the beam and the additional stem of the 5th semiquaver. However, he left the additional stem of the 3rd semiquaver; he even prolonged it over the crossed-out beam, which must have meant that the note should be a crotchet. The sense of such corrections was guessed neither by Fontana nor by the engraver of 
1-a1. He introduced the same change also in b. 36. It is also likely that both places were initially supposed to include the g1-b
