Issues : Accompaniment changes
|
b. 13-32
|
composition: Op. 28 No. 5, Prelude in D major
..
In each of b. 13-16 and 29-32, Chopin initially separated in A the 3rd and 5th semiquavers (b1-e category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections , Deletions in A , Accompaniment changes , Errors of FC |
1 and g1-c
. He then abandoned that voice; he crossed out the beam and the additional stem of the 5th semiquaver. However, he left the additional stem of the 3rd semiquaver; he even prolonged it over the crossed-out beam, which must have meant that the note should be a crotchet. The sense of such corrections was guessed neither by Fontana nor by the engraver of