Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
compare
  b. 13-32

Crotchets in A

No crotchets i FC (→GE) & FE (→EE)

In each of b. 13-16 and 29-32, Chopin initially separated in A the 3rd and 5th semiquavers (b1-e1 and g1-c1, respectively) as an additional voice consisting of a quaver and a semiquaver: . He then abandoned that voice; he crossed out the beam and the additional stem of the 5th semiquaver. However, he left the additional stem of the 3rd semiquaver; he even prolonged it over the crossed-out beam, which must have meant that the note should be a crotchet. The sense of such corrections was guessed neither by Fontana nor by the engraver of FE.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE, Corrections in A, Errors resulting from corrections, Deletions in A, Accompaniment changes, Errors of FC

notation: Rhythm

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