Issues : Errors of A
b. 143
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composition: Op. 43, Tarantella
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In A before the last quaver in LH there is no diminishing g to g. This is an obvious inaccuracy in Chopin's notation. category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 169
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composition: Op. 43, Tarantella
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In all the sources, except EE, the third quaver g2 in RH part has no . We see it as omission and add it for the main text, since there are no suggestions as for the g note on itself in this bar of the phrase. category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 174
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composition: Op. 43, Tarantella
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In A, FC3 and GE1 on the first quaver in RH there is no lowering g3 to g3. It was added in FE (→IE), and it also exists in EE. In GE2 (→GE3→GE4) was arbitrarily added. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions , Errors of A |
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b. 174
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: Errors of A |
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b. 176
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composition: Op. 43, Tarantella
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In A and FC3 (→FE→IE) the upper note of the chord on the second beat of LH is a1. It must have been Chopin's error as proven by on this note in A, which has no justification before a1 and it was omitted in FC3 (→FE→IE). The correct text (with f1) in EE must resulted from the editor's revision. However, it seems little probable in incorrect GE1 - f1 may have been found already in [KF1]. Cf. next annotation. A certainly long accent in A was copied wrongly - as a short one - in FC3 (→FE→IE) and EE but omitted in GE. Cf. bars 164-178 . category imprint: Interpretations within context; Differences between sources issues: EE revisions , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Errors of FC |