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b. 164-178
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composition: Op. 43, Tarantella
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The notation of accents on the LH chords is inconsistent in all the sources. In A the first few accents (in bars 164-166) are marked as short, the majority however (beginning with b.167) are unquestionably long ones and yet FC3 (→FE→IE) as well as GE and EE provide short accents only. In b. 169 of A there is no accent above the second chord, which was corrected in all other sources. A consistent musical context may result in an assumption that all those differences are but mere omissions, which leads to the version proposed for the main text. In FE (→IE) accents are marked in RH, which must have resulted from incorrect notation of FC3 (cf. notation of A, especially in bars 172-175). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 165
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composition: Op. 43, Tarantella category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 165
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composition: Op. 43, Tarantella
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In GE1 before the fifth quaver in RH there is no category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 167
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composition: Op. 43, Tarantella category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 167
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
was omitted before c
1 and f
before g in LH. A similar addition was made in