Issues : GE revisions

b. 31

composition: Op. 43, Tarantella

AFC3 (→FEIE), EEGE1 (→GE2GE3)

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In GE4 an accent was added arbitrarily in the second half of the bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 34-35

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE, GE1

 
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In GE2 (→GE3GE4) arbitrarily there was a slur added connecting din b. 34 and cin the following bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 41

composition: Op. 43, Tarantella

AFC3 (→FEIE), EE, GE1 (→GE2GE3)

More probable interpretation

Less probable interpretation

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Given that there is g in the previous and next bar we may assume that the inner note of the chord in the second half of b. 25 per Chopin's intention was supposed to be g as well, and Chopin must have overseen . However, the version with is no less satisfactory in musical terms, hence, assuming that Chopin's notation is correct we propose it for the main text.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals

b. 50-51

composition: Op. 43, Tarantella

GE2 (→GE3GE4)

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In GE2 (→GE3GE4) there is an arbitrarily notated slur connecting din b. 50 with cin the following bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 59

composition: Op. 43, Tarantella

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We add cautionary  before a in LH. Similar insertions were made in EE and GE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions