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b. 84
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composition: Op. 43, Tarantella
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In all editions of GE there is no category imprint: Differences between sources issues: Errors in GE |
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b. 84
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composition: Op. 43, Tarantella
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In A and FC3 there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 84-87
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composition: Op. 43, Tarantella
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Bars 84-99 in Tarantella are repeated in bars 100-115 and 132-147. To avoid rewriting them three times Chopin in A and then Fontana in FC3 marked them with numbers 1-16 on the first exposition of the part, and for repetitions he left bars without notes only marked with numbers. It does not apply to the first editions, where all three passages are written out with notes. In all annotations regarding A and FC3 in bars 100-115 and 132-147 we present variants corresponding to bars 84-99. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 84
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composition: Op. 43, Tarantella
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In GE1 the tie on g category imprint: Differences between sources issues: Errors in GE |
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b. 85
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
dynamic marking.
on the last quaver diminishing g to 
in LH. This rather obvious Chopin's omission was corrected in all first editions. In the case of 
on g1 in RH. Similar addition was made in