b. 3-4
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composition: WN 37, Lento con gran espressione
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The missing tie of c1 is probably Chopin's oversight in A1, hence we consider it acceptable to add it in the text of A1. category imprint: Differences between sources issues: Errors of A |
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b. 5
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composition: WN 37, Lento con gran espressione
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The fact that the slurs are featured in CJ only makes us think that they could have been added by Chopin, who might have had the opportunity to go over this copy. However, it is an assumption only that actually does not influence the evaluation of authenticity of these slurs in any way. category imprint: Differences between sources issues: Balakirev's revisions |
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b. 5
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composition: WN 37, Lento con gran espressione
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According to us, the fact that the ending of the trill is not written out does not mean that Chopin envisioned it being performed differently while writing A1. It is rather an element that was skipped in the working notation, since Chopin regarded it as obvious. category imprint: Differences between sources |
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b. 5
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composition: WN 37, Lento con gran espressione
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In A1 one can see that the 6th quaver was initially an f, like in b. 13 and 46. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 5-6
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composition: WN 37, Lento con gran espressione
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In the main text we give the slur of CK (→CB), which is unquestionable in terms of image and music. According to us, it can also be considered an interpretation of the possibly inaccurate slurs of A1 and CJ. The slurring of A1 is generally rather of draft nature – careless and mostly short slurs appear only occasionally. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Inaccuracies in JC , Revisions in EL |