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b. 59
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composition: WN 37, Lento con gran espressione
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In the main text we give the delicato indication according to [A2] (→CJ,CK→CB) and EL. In both copies based on [A2] the indication begins approximately under the 3rd small quaver, which is a characteristic inaccuracy – cf. b. 57. In the substantive transcription (the version "redaction") of both copies we place the indication at the beginning of the 2nd half of the bar, in accordance with the contemporary editorial practices. category imprint: Interpretations within context; Differences between sources issues: Centrally placed marks |
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b. 59-60
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composition: WN 37, Lento con gran espressione
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In A1 the figures written in small quavers are provided with pairs of category imprint: Differences between sources |
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b. 59-60
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composition: WN 37, Lento con gran espressione
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Just like in b. 13-14, in the main text we suggest the additional crotchet stems present only in A1 in a variant form. At the same time, Chopin omitted the stem next to g category imprint: Differences between sources; Editorial revisions |
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b. 60
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composition: WN 37, Lento con gran espressione
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In A1 the dot concerning f category imprint: Differences between sources issues: Errors in CK |
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b. 60
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composition: WN 37, Lento con gran espressione
..
Just like in the previous bar, in the main text we include delicatiss. present in the sources coming from [A2] – CJ, CK (→CB) and EL. In the earlier copies – CJ and CK – the indication is placed centrally under the R.H. run. The omission of rallent. in CB is Balakirev's revision, who replaced three authentic indications in b. 60-63 with one in b. 62-64. category imprint: Interpretations within context; Differences between sources issues: Centrally placed marks , Balakirev's revisions |
in 
in 
in b. 60; we discuss this possible inaccuracy in a separate note.
