Pedalling
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b. 122-123
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we suggest the pedalling markings written in AF (→FE→EE) in analogous b. 30-31 in a variant form. category imprint: Editorial revisions |
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b. 137-139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The absence of pedalling markings in GE must be considered an inaccuracy in these bars. All similar phrases – b. 11-12, 103-104 and 135-136 – are provided with such pedalling markings at least in one of the authentic sources; whenever discrepancies occur, they can most likely be considered an inaccuracy. In the discussed place the reason could have been, e.g. an oversight of the engraver of GE1 – these bars open a new line, and pedalling markings are absent in GE also in b. 139-140. In FE (→EE) the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The pedalling of AF (→FE→EE), encompassing the first two beats of the bar, is related to the G category imprint: Differences between sources; Editorial revisions |
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b. 140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing pedalling markings in GE may be an inadvertence of Chopin or a mistake of the engraver – cf. the note to b. 137-138. Due to this reason, in the main text we give the pedalling markings of AF (→FE→EE), particularly since they are present in FE, in which Chopin proofread the accompaniment in this bar – see the note above. category imprint: Differences between sources |
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b. 149-152
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we include the changes of pedal under b. 149-150 and 151-152, present only in AF (→FE→EE), in a variant form. When choosing one of the versions, it is also the variants of dynamic indications that should be taken into account – in the sources the shorter pedalling markings are associated with more precise dynamic indications. category imprint: Differences between sources |
) suggested by the editors
crotchet present in these sources at the beginning of the bar – see the note above. As we give another version in the main text, we do not take into account this version of pedalling, particularly since in the next bar, with rest on the 1st beat, 
