EE1
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
compare
  b. 77-88

 under or after 3rd crotchet in AF, contextual interpretation

after 3rd crotchet in FE (→EE)

under 3rd crotchet in GE

Once again, like in analogous b. 45-57, the  marks are placed in AF under or after the 3rd crotchet of the bar. However, their placement is not explicitly linked to the harmonic content of the chords – marks after the 3rd crotchet are to be found in, e.g. b. 77 and 79, in which the chord changes to E major on the 3rd beat (in the substantive transcription we move them under the 3rd crotchet). FE and EE standardised the position of the marks yet without taking into account harmonic changes, which must be a result of inaccuracy of the engraver. In the main text we reproduce the consistent and reasonable notation of GE.
B. 86-87 are discussed separately.
AI is devoid of pedalling markings here. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, Inaccuracies in A

notation: Pedalling

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