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Source: 
p. 2, b. 27-58
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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AF - Autograph fair-copy
FE - French edition
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GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
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GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 45-58

 under or after 3rd crotchet in AF, contextual interpretation

after 3rd crotchet in FE (→EE)

under 3rd crotchet in GE

AI is devoid of pedalling markings in the entire fragment (until b. 91), which does not carry any information about the pedalling itself – Chopin simply did not mark it in the unfinished manuscript; consequently, we do not treat it on a par with the other variants. The  marks are placed in AF before, under or after the 3rd crotchet of the bar, yet their placement is not explicitly linked to the harmonic content of the chords, e.g. marks after the 3rd crotchet are to be found in b. 48, 54 and 56, in which the chord does not change, as well as in b. 55, in which the chord changes on the 3rd beat to E major. FE and GE do not bear traces of intervention in this respect – they reproduced the notation of AF, yet inaccurately and with tendency to delay the pedal release. In the main text we reproduce the consistent notation of GE, in which the placement of the  marks was standardised in a satisfactory manner, as far as the sound is concerned, both in the bars where the chord changes and where it does not.
B. 46-47 are discussed separately

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Inaccuracies in FE, EE inaccuracies, Inaccuracies in A

notation: Pedalling

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1