



b. 67
|
composition: Op. 50 No. 1, Mazurka in G major
..
Just like in the previous, analogous places, in the main text we give the slur of GE1, based on [A2]. In GE2 this bar opens a new page and the beginning of the slur was moved over the 1st quaver so that it would not continue the previous one (simplified, erroneous revision – see b. 65-66). category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||||||||||
b. 67
|
composition: Op. 50 No. 1, Mazurka in G major
..
In EE the c1-a1 sixth is a quaver, which is a patent mistake. category imprint: Differences between sources issues: Errors in EE |
|||||||||||
b. 67-69
|
composition: Op. 50 No. 1, Mazurka in G major
..
In A1, just like in b. 11-13, of which the discussed bars are a repetition, there is no category imprint: Differences between sources issues: Scope of dynamic hairpins , Authentic corrections of FE |
|||||||||||
b. 67-68
|
composition: Op. 50 No. 1, Mazurka in G major
..
We include in the main text the pedalling added by Chopin in the last stage of proofreading of FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||||||||||
b. 68-69
|
composition: Op. 50 No. 1, Mazurka in G major
..
In accordance with what was written in b. 12-13, we give precedence to the beginning of the slur of A1, written by Chopin's hand, and not to the potentially inaccurate slur of GE. In FE (→EE) the slur runs already from the G minim, which is an overinterpretation of the notation of A1 or a common mistake. category imprint: Differences between sources |