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b. 478
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composition: Op. 31, Scherzo in B♭ minor
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The long accent in A (→FC), quite clear, was reproduced in FE (→EE) as a short one. The mark in FC was first overlooked (in GE1) and then included in GE2 (→GE3), yet also as a short one. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 478-479
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , GE revisions , Annotations in FESf |
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b. 480
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add cautionary naturals before a and a1. The former was added already in GE1, while the latter – in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 481-482
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composition: Op. 31, Scherzo in B♭ minor
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While the slur of A does not reach the 1st octave in b. 482, it does go beyond the bar line, which indicates that it was supposed to reach that octave. This is how it was understood by Fontana in FC (→GE1); moreover, such a slur – without a doubt – is present in analogous b. 489-490. The versions of GE2 and GE3 prove inconceivable dilemmas of the revisers of the second German edition concerning the range of that and similar slurs. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
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b. 482
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composition: Op. 31, Scherzo in B♭ minor
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It is not entirely certain whether the dot near the 1st octave in A is a staccato mark, yet Fontana included it in his copy. Therefore, we give it in the main text. FE (→EE) and GE1 omitted the mark, yet the dot was restored in GE2 (→GE3), on the basis of FC. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in GE , GE revisions |