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b. 450
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composition: Op. 31, Scherzo in B♭ minor
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The version of A is the original one, left by inadvertence: in an analogous situation, eight bars earlier, Chopin changed b2 to a2, and in the discussed bar he introduced an identical change in FC and FE. In the case of FE the change was introduced in the last phase of proofreading, not included in EE. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE , Omitted correction of an analogous place , Authentic corrections of FC |
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b. 451-452
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composition: Op. 31, Scherzo in B♭ minor
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The slur of A (→FC) reaches the line ending b. 451, yet it does not go beyond it, so it is uncertain whether it is supposed to encompass the e minim in the next bar or not. In the main text we adopt the former as closer to the notation of analogous b. 349-350, in which the respective minim is certainly encompassed with a slur. This is how the slur was interpreted in FE (→EE), whereas in GE1 the slur ends on the last g category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 452-457
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the concordant pedalling of b. 452-453 and 456-457, entered by Chopin into FC (→GE1) and added by him in the proofreading of FE (→EE). The version of GE2 is an arbitrary revision, making those bars similar to b. 350-351 and 354-355. GE3 restored the version of FC and GE1. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC |
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b. 453
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Errors of FC |
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b. 460
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 358, moving category imprint: Differences between sources issues: GE revisions |