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b. 355-356

composition: Op. 31, Scherzo in B♭ minor

Slur to B in A (→FC) & GE2 (→GE3)

Slur to bar 356 in FE (→EE)

No slur in GE1

..

The longer slur of FE (→EE) results from overinterpretation of the slur of A. The fact of GE1 having omitted the slur is an oversight, corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , GE revisions

b. 358

composition: Op. 31, Scherzo in B♭ minor

on 1st beat in A (→FCGE1)

No marking in FE (→EE)

on 2nd beat in GE2 (→GE3)

..

The indication is missing in FE (→EE), see b. 350. Moving  to the second beat of the bar is an arbitrary revision of GE2 (→GE3) (cf. the Etude in C Major, Op. 10 No. 1, b. 1).

category imprint: Differences between sources

issues: GE revisions

b. 358

composition: Op. 31, Scherzo in B♭ minor

in A (→FC,FEEE) & GE2 (→GE3)

in GE1

..

An erroneous interpretation of the Chopinesque  as  would frequently happen to the engravers of the first editions, see, e.g. the Sonata in B Minor, Op. 35, I mov., b. 5.  The mistake was corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , fz – f

b. 360

composition: Op. 31, Scherzo in B♭ minor

Arpeggio sign in A (→FEEE)

No sign in FC (→GE)

..

The missing arpeggio in FC (→GE) seems to be an oversight. However, arpeggios are also missing in analogous b. 462 and similar b. 470; therefore, it cannot be excluded that arpeggios were added in A after the completion of FC.

category imprint: Differences between sources

issues: Errors of FC

b. 360

composition: Op. 31, Scherzo in B♭ minor

..

A (→FCGE1, →FEEE1) has a reminding  before g1. The mark, unnecessary in this context, was removed in GE2 (→GE3) and EE2 (→EE3). The same applies to b. 462.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign