



Slurs
b. 505-508
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composition: Op. 31, Scherzo in B♭ minor
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The slurs in b. 505-506 and 507-508 visible in GE2 (→GE3) cannot be authentic; they were probably added after b. 503-504 due to the extensions of the bass notes. category imprint: Differences between sources issues: GE revisions |
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b. 507-508
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Inaccurate slurs in A , GE revisions , FE revisions |
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b. 508-515
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composition: Op. 31, Scherzo in B♭ minor
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The slur of A in b. 508 indicates the e category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , Errors of FC , Inaccuracies in FC |
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b. 511-515
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composition: Op. 31, Scherzo in B♭ minor
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The overlooked slurs are almost certainly an inaccuracy of notation, both in A (→EE) and FC (→GE1). The slur added in b. 512 (only!) in EE is probably a mistake; just like in FE, the engraver placed slurs in the entire line; however, he did not notice that in FE the line ends a bar earlier than in EE. In the main text we complete the slurring of A; such a procedure was performed also in GE2 (→GE3). category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A , Errors of FC |
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b. 523
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the longer slur of FC is an inaccuracy of the copyist, hence in the main text we give the whole-bar slur of A. We consider the other possibility – the slur having been added in FC by Chopin – to be less likely (see, however, b. 531-536). category imprint: Differences between sources issues: Inaccuracies in FC |