Issues : EE inaccuracies
b. 18
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composition: Op. 11, Concerto in E minor, Mvt III
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The slur of FE (→GE1→GE2) is most probably inaccurate – in all analogous places, the respective slur begins earlier, from the first or second semiquaver. In the main text, we adopt the former solution (introduced also in GE3) – see bar 30. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 208-209
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composition: Op. 11, Concerto in E minor, Mvt III
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A later beginning of the mark in GE1 (→GE2) must be an inaccuracy resulting from having divided these bars into two great staves. GE3 prolonged the mark yet did not repeat its range from FE. category imprint: Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies |
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b. 221
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary before f3. The accidental was added only in GE3. Interestingly, FE includes a cautionary before f1 in the L.H., which was not repeated both in GE and EE1 (→EE2). The accidental may have been added in the last phase of proofreading, which would explain its absence in GE; in EE, it was overlooked or considered unnecessary (it was added in EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , EE inaccuracies , Authentic corrections of FE |
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b. 398-399
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composition: Op. 11, Concerto in E minor, Mvt III
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Two subsequent slurs starting later than in the adjacent figures must be an inaccuracy of FE, partially repeated in GE1 (→GE2) and EE. In the main text, we move the beginnings of the slurs to over the 1st semiquaver, in accordance with the musical sense and analogous figures. Such a revision was introduced already in GE3. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 408
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composition: Op. 11, Concerto in E minor, Mvt III
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When interpreted literally, the ambiguous, in terms of rhythmic values and division into parts, notation of FE may have a few possible versions. It is the interpretation based on a possible reconstruction of the notation of [A], rhythmically consistent, that we adopt as both the text of FE and the main text. category imprint: Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |