Issues : Errors in GE
b. 412
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE are most probably an oversight, although it cannot be ruled out that the markings were added in the last proofreading of FE – cf. bar 430. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 430
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato dots under the chords are probably an oversight of the engraver of GE. It is already a second situation in this theme (after bar 412), which may mean that the dots were added only just in the last proofreading of FE. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 441-443
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composition: Op. 11, Concerto in E minor, Mvt III
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Just like in bars 197-198, the absence of the mark in FE (→GE1→GE2) probably is not a mistake. The pedal is most probably supposed to be released at the end of bar 442 or at the beginning of bar 443, which may be suggested by the hold of the bass minim. The former was indicated in EE, whereas in GE3 there is no pedalling at all, which is most probably a mistake of the engraver. The mark suggested by us indicates an approximate moment of pedal release, leaving its specification to the discretion of the performer. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in GE , No pedal release mark |
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b. 463
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 479
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE1 (→GE2), the last note of the 3rd triplet is a semiquaver, like the remaining ones. The mistake was corrected in GE3. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Rhythmic errors |