b. 57
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composition: Op. 11, Concerto in E minor, Mvt III
..
Reversed marks are quite frequent mistakes – cf. e.g. the 2nd mov. of the Concerto, bar 47 or the Etude in C Minor, Op. 10 No. 12, bar 53. In GE3, the mark was omitted, probably due to inattention – see the next note. category imprint: Differences between sources issues: Errors in GE , Sign reversal |
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b. 57
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE1, there is an erroneous additional e note on the last quaver of the bar. The mistake was rectified in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 58
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composition: Op. 11, Concerto in E minor, Mvt III
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Like in the previous bar, it is probably the engraver's inattention that is responsible for the absence of in GE3. category imprint: Differences between sources issues: Errors in GE |
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b. 58
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composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we add a slur after analogous bar 286 and similar bar 59. An identical addition was introduced in GE3. Cf. bar 287. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 59
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composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we add cautionary naturals before e and e1. category imprint: Editorial revisions |