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b. 57

composition: Op. 11, Concerto in E minor, Mvt III

 in FE (→EE)

 in GE1 (→GE2)

No sign in GE3

..

Reversed marks are quite frequent mistakes – cf. e.g. the 2nd mov. of the Concerto, bar 47 or the Etude in C Minor, Op. 10 No. 12, bar 53. In GE3, the mark was omitted, probably due to inattention – see the next note.

category imprint: Differences between sources

issues: Errors in GE , Sign reversal

b. 57

composition: Op. 11, Concerto in E minor, Mvt III

..

In GE1, there is an erroneous additional e note on the last quaver of the bar. The mistake was rectified in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 58

composition: Op. 11, Concerto in E minor, Mvt III

 in #FE (→EE,GE1GE2)

No sign in GE3

..

Like in the previous bar, it is probably the engraver's inattention that is responsible for the absence of ​​​​​​​ in GE3.

category imprint: Differences between sources

issues: Errors in GE

b. 58

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE (→EE,GE1GE2)

Slur in GE3

..

In the main text, we add a slur after analogous bar 286 and similar bar 59. An identical addition was introduced in GE3. Cf. bar 287

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 59

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add cautionary naturals before e and e1.

category imprint: Editorial revisions