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Issues : Errors repeated in GE
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b. 338-339
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composition: Op. 11, Concerto in E minor, Mvt III
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The version of GE, contrary to the orchestral part of FEorch (→GEorch) – in the last chord in bar 338, bassoon I, violas, oboe II and flute II do not have a b (in various octaves), but a c category imprint: Differences between sources |
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b. 369-370
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the tie of F1 is present only in bar 169 (at the end of the line). EE corrected the patent defect, whereas GE3 completely omitted the tie, which is probably a mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE , Uncertain slur continuation , Errors repeated in GE |
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b. 420
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composition: Op. 11, Concerto in E minor, Mvt III
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In the L.H. part, there are erroneous c category imprint: Differences between sources; Source & stylistic information issues: Errors in FE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE |
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b. 429
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composition: Op. 11, Concerto in E minor, Mvt III
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The version of GE1 (→GE2), distorting the sequence of bass (implemented by cellos and double basses), must be erroneous. However, the traces of proofreading visible in FE prove that it was the engraver of this edition that committed a mistake, yet in GE1 the note was revised by adding an admittedly overlooked category imprint: Differences between sources issues: Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE |
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b. 450
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the second quaver in the R.H. is inaccurately printed – the notehead is actually at the pitch of e3, yet it is missing the ledger line that crosses it, as a result of which it can be interpreted as a d category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , Errors repeated in GE |
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