Articulation, Accents, Hairpins
b. 74-75
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE3, all quavers in bar 74 were arbitrarily marked staccato. Moreover, dots were added to three chords in the L.H. in bar 75 (after the authentic marks in the R.H.). category imprint: Differences between sources issues: GE revisions |
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b. 76-80
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composition: Op. 11, Concerto in E minor, Mvt III
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In bars 76, 78 and 80, GE3 repeated the performance marks of the R.H. – staccato dots and accents – in the L.H. part (the accent in bar 80 was not taken into account). category imprint: Differences between sources issues: GE revisions |
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b. 79
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composition: Op. 11, Concerto in E minor, Mvt III
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We consider the missing hairpin to be an inaccuracy – the mark is featured in violins in FEorch (→GEorch) as well as in all sources in analogous bar 307. category imprint: Editorial revisions |
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b. 86-87
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE3, the authentic staccato marks from the R.H. part were doubled in the L.H. category imprint: Differences between sources issues: GE revisions |
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b. 92
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the missing staccato marks over the quavers in the 1st half of the bar must be considered an inaccuracy of notation:
category imprint: Editorial revisions |