mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Articulation, Accents, Hairpins

b. 108-109

composition: Op. 11, Concerto in E minor, Mvt III

Dots on 2nd quavers in FE (→EE,GE1→GE2)

Dots on pairs of quavers in GE3
..

It does not appear that the missing staccato dots over the first chords in these bars could have been attributed to Chopin's inattention. Therefore, the marks added in GE3 most probably do not correspond to his intention.

category imprint: Differences between sources

issues: GE revisions

b. 108-109

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1→GE2)

L.H. staccato dots in GE3
..

Staccato indicated in GE3 for all octaves in the L.H. must be an arbitrary action of the reviser of that edition.

category imprint: Differences between sources

issues: GE revisions

b. 110-111

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→EE,GE1→GE2)

Dots & slur in GE3
..

GE3 arbitrarily marked articulation of all semiquavers – the majority – staccato, two – legato.

category imprint: Differences between sources

issues: GE revisions

b. 112-113

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1→GE2)

L.H. staccato dots in GE3
..

The reviser of GE3 marked the 2nd half of bar 112 and entire bar 113 with staccato dots.

category imprint: Differences between sources

issues: GE revisions

b. 112

composition: Op. 11, Concerto in E minor, Mvt III

Staccato dot in FE (→EE) & GE3

No mark in GE1 (→GE2)
..

The missing dot must be an oversight of GE1 (→GE2), completed in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions