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b. 212

composition: Op. 11, Concerto in E minor, Mvt III

Accent in FE (→EE)

No mark in GE

..

The missing accent in GE is probably an oversight of the engraver of GE1, although the mark could have also been added only just in the last proofreading of FE.

category imprint: Differences between sources

issues: Errors in GE

b. 212-213

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED (bars 212 & 216)

Fingering in FED, combination suggested by the editors

Fingering written into FEH (bars 212-213)

Fingering in FEH, combined from bars 212-213

No fingering in FE (→GE)

Fontana's fingering in EE

..

The fingering of FED in bar 216 expands upon the indication from bar 212; hence, in the main text we give it together already for the first time. Similarly, the digit written in FEH in bar 213 complements the indications from bar 212. The fingerings in those copies differ in the first digit only; however, it may mark a different fingering of the entire sequence of semiquavers, since the digits in FED may be ascribed both to the left and right hand. In the former, the continuation would be the same as in FEH, while in the final part, perhaps the same as in EE. In the latter, the continuation (with the L.H.) could be completely different –  – although, obviously, it is not the only possibility. Generally, comparison of the fingering of those three sources is based mainly on assumptions, since the ranges of particular indications do not overlap, or they overlap to a negligible extent.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH

b. 213-217

composition: Op. 11, Concerto in E minor, Mvt III

..

In bar 213, a  (cautionary?) before c​​​​​​​ is present in all sources. A similar situation occurs in bar 217, in which, however, GE3 omitted this completely unjustified accidental.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 214-215

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

In these bars, the fingering of FEH could have been written by Chopin, hence we include it in the main text. It is compliant with Fontana's fingering in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 214-218

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add cautionary sharps before d​​​​​​​ in bars 214 and 218. The accidentals were added both in GE and EE; however, there is no  in bar 218 in EE1 (it appears only just in EE2).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions